

A sharp, unflinching columnist whose feminist and political commentary cut through the noise of British media for decades.
Suzanne Moore built a career as a forthright and often controversial voice in British journalism. Starting at the New Statesman in the 1980s, she became a columnist for major publications like The Guardian and The Mail on Sunday, known for her left-leaning politics and incisive cultural criticism. Her writing, which frequently tackled gender, class, and power, resonated with a broad readership and often sparked national conversation. Moore was a key part of the wave of feminist writers who brought a new, combative energy to the mainstream press. Her career, marked by a willingness to challenge orthodoxies on both the right and the left, cemented her status as a formidable and independent commentator.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Suzanne was born in 1958, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1958
#1 Movie
South Pacific
Best Picture
Gigi
#1 TV Show
Gunsmoke
The world at every milestone
NASA founded
JFK assassinated in Dallas; Martin Luther King's 'I Have a Dream' speech
Voting age lowered to 18 in the US
Nixon resigns the presidency
Apple Computer founded; US bicentennial
Iran hostage crisis begins; Three Mile Island accident
Pan Am Flight 103 bombed over Lockerbie
Google founded; Clinton impeachment
Barack Obama elected first Black US president; financial crisis
Royal wedding of Harry and Meghan; Parkland shooting
She briefly played in an all-female punk band called The Jane Does in the late 1970s.
She has a tattoo of a dagger on her arm.
She co-authored a book about the pop star Kylie Minogue.
“I write to puncture pretension and to describe the world as I see it, not as it should be.”