
A comic book writer who shattered genre boundaries, blending intimate human drama with sprawling sci-fi and fantasy to captivate a generation of readers.
Brian K. Vaughan created 'Y: The Last Man,' a tale of the last human male on a planet of women that demonstrated his knack for high-concept premises grounded in raw emotional truth. He followed with the political superhero saga 'Ex Machina' and the space opera 'Saga,' co-created with artist Fiona Staples. Vaughan began his career as a television writer but found his voice in comic books. His work features whip-smart dialogue, complex characters, and a fearless approach to mature themes. Beyond the page, he has shepherded adaptations of his work for screen, extending his influence across multiple formats.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Brian was born in 1976, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1976
#1 Movie
Rocky
Best Picture
Rocky
#1 TV Show
All in the Family
The world at every milestone
Apple Computer founded; US bicentennial
MTV launches; first Space Shuttle flight; AIDS identified
Berlin Wall falls; Tiananmen Square protests
LA riots after Rodney King verdict
Nelson Mandela elected president of South Africa
Princess Diana dies in Paris car crash; Harry Potter published
Twitter launches; Pluto reclassified as dwarf planet
Donald Trump elected president; Brexit vote
He wrote several episodes for the television series 'Lost' during its third season.
He keeps the ending of 'Saga' a secret, even from his artist collaborator Fiona Staples, until it's time to write each arc.
He worked as a staff writer on the CBS drama 'The Critic' early in his career.
““The best stories don’t come from ‘good vs. evil’ but from ‘good vs. good.’””