
A French illustrator who fused sleek futurism with rock and roll cool, defining the visual style of the 1980s Métal Hurlant generation.
Serge Clerc published his first comics in the magazine Métal Hurlant while still a teenager. He created the series 'Clémentine,' about a modern independent young woman, and the sci-fi work 'Captain Futur.' His clean linework was inspired by Hergé and rock album art. Clerc also designed posters for concerts and films, including work for the French cinema magazine 'Studio.' He was born in 1957. His style featured chic secret agents, streamlined technology, and architectural precision, defining the sleek, optimistic aesthetic of the 1980s.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Serge was born in 1957, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1957
#1 Movie
The Bridge on the River Kwai
Best Picture
The Bridge on the River Kwai
#1 TV Show
Gunsmoke
The world at every milestone
Sputnik launches the Space Age
Cuban Missile Crisis brings the world to the brink
First Earth Day; The Beatles break up
US withdraws from Vietnam; Roe v. Wade decided
Fall of Saigon ends the Vietnam War
First test-tube baby born
Black Monday stock market crash
Princess Diana dies in Paris car crash; Harry Potter published
iPhone released; Great Recession begins
#MeToo movement; solar eclipse crosses the US
He created his own fanzine, 'Absolutely Live', before going professional.
Clerc's style was heavily influenced by the clean lines of Hergé and the art of 1960s fashion and advertising.
He has created album cover art for French musicians and bands.
“I draw with a clear line, a love for speed, and the spirit of rock 'n' roll.”