

A Finnish guitar powerhouse whose aggressive riffs helped forge the sound of Scandinavian thrash and melodic death metal.
Roope Latvala emerged from Helsinki's nascent metal scene in the mid-1980s, not with a whimper but with a distorted roar. As a founding force in Stone, he helped lay the very foundation for Finnish extreme metal, their raw thrash energy a stark contrast to the glam rock popular elsewhere. His technical, muscular playing style made him a sought-after figure, leading to a defining twelve-year stint with Children of Bodom, where his rhythm guitar work provided the dense, punishing bedrock for the band's neo-classical flights. Beyond these pillars of his career, Latvala has been a constant, almost subterranean presence in the Nordic scene, collaborating with acts like Sinergy and Waltari, his influence echoing in generations of guitarists who prize both precision and raw power.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Roope was born in 1970, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1970
#1 Movie
Love Story
Best Picture
Patton
#1 TV Show
Rowan & Martin's Laugh-In
The world at every milestone
First Earth Day; The Beatles break up
Fall of Saigon ends the Vietnam War
Internet adopts TCP/IP, creating the modern internet
Challenger disaster; Chernobyl nuclear meltdown
Pan Am Flight 103 bombed over Lockerbie
Soviet Union dissolves; World Wide Web goes public
Y2K passes without incident; contested Bush-Gore election
Deepwater Horizon oil spill; iPad launched
COVID-19 pandemic shuts down the world
He is the older brother of Finnish bassist Jussi "Jude" Latvala.
Latvala is known for his extensive use of custom-built ESP guitar models.
He left Children of Bodom in 2015, with the band citing a need for renewed inspiration.
“The riff is the law; everything else is decoration.”