

A Canadian cinematographer who liberated the camera, pioneering a visceral, handheld style that defined the truth-telling energy of direct cinema.
Michel Brault didn't just shoot films; he reinvented how the camera could move through the world. In the 1950s and 60s, working with the National Film Board of Canada's French unit, he became the technical and philosophical engine of direct cinema, Quebec's answer to cinéma vérité. He strapped gyroscopes to cameras, shot from wheelchairs and cars, and turned the handheld shot from a shaky necessity into an art form of intimate, urgent observation. His groundbreaking work on films like 'Pour la suite du monde' and 'Les Raquetteurs' captured everyday life with unprecedented fluidity and presence. Later, as a director, he brought that same textured realism to landmark features like 'Les Ordres.' Brault's innovations gave filmmakers a new grammar of authenticity, influencing generations of documentarians and narrative directors worldwide.
1928–1945
Born between the Depression and the end of WWII. Too young to fight, old enough to remember. They became the conformist middle managers of the 1950s — and the civil rights leaders who quietly dismantled Jim Crow.
Michel was born in 1928, placing them squarely in The Silent Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1928
#1 Movie
The Singing Fool
Best Picture
Wings
The world at every milestone
Alexander Fleming discovers penicillin; Mickey Mouse debuts
FDR's New Deal launches; Prohibition ends
Pearl Harbor attack brings the US into WWII
D-Day: Allied forces land at Normandy
United Nations holds its first General Assembly
NATO founded; Mao proclaims the People's Republic of China
NASA founded
Martin Luther King Jr. and Robert Kennedy assassinated
First test-tube baby born
Pan Am Flight 103 bombed over Lockerbie
Google founded; Clinton impeachment
Barack Obama elected first Black US president; financial crisis
Edward Snowden reveals NSA surveillance programs
He developed a custom gyroscopic camera stabilizer in the late 1950s, years before the invention of the Steadicam.
He filmed the iconic crowd scenes for Norman Jewison's musical 'Jesus Christ Superstar' (1973).
He was a founding member of the French filmmakers' cooperative 'Les Films de l'Astrée' in Montreal.
“The camera is not an instrument that you simply point; it is an eye that you lend to the viewer.”