

A Louisiana-born singer whose voice carries the gritty warmth of the bayou, blending soul, funk, and roots into a sound entirely his own.
Marc Broussard didn't just grow up in Louisiana; he absorbed its musical groundwater. The son of guitarist Ted Broussard of the band The Boogie Kings, Marc was steeped in Southern soul, R&B, and rock from birth. He burst onto the scene with a voice that sounded both impossibly mature and refreshingly raw, a instrument of smoky power. His self-defined 'bayou soul' style is less a genre fusion than a natural expression, weaving the storytelling of classic soul with the rhythmic punch of funk and the earthy feel of the South. Over a string of independent albums and relentless touring, Broussard has cultivated a dedicated fanbase not through chart domination, but through authentic, sweat-drenched performances that feel like a communal celebration. He remains a torchbearer for organic, regionally-rooted American music.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Marc was born in 1982, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1982
#1 Movie
E.T. the Extra-Terrestrial
Best Picture
Gandhi
#1 TV Show
Dallas
The world at every milestone
Michael Jackson releases Thriller
Black Monday stock market crash
Oklahoma City bombing; Windows 95 released
Google founded; Clinton impeachment
Y2K passes without incident; contested Bush-Gore election
US invades Iraq; Human Genome Project completed
Curiosity rover lands on Mars; Sandy Hook shooting
Russia invades Ukraine; Queen Elizabeth II dies
He is the son of Ted Broussard, a founding member of the Louisiana band The Boogie Kings.
His song 'Home' was used in a popular 2004 television commercial for the NFL.
He independently released much of his music, often funding projects through fan pre-orders and direct support.
“This music is in my blood; it's not a style, it's a language.”