

A founding Impressionist who captured the intimate, fleeting moments of domestic life with luminous brushwork and keen observation.
In the male-dominated whirlwind of the Parisian avant-garde, Berthe Morisot carved a singular and essential space. As the only woman to exhibit in the first landmark Impressionist exhibition of 1874, she was not a peripheral figure but a core innovator. Her subjects—women at their toilette, children in gardens, sun-dappled interiors—were realms she accessed with an insider’s understanding, transforming everyday scenes into studies of light, color, and atmosphere. Her technique was swift and confident, with loose, fluid brushstrokes that seemed to capture the very breath of a moment. While her peers often painted the bustling city, Morisot turned her gaze inward, elevating the private sphere to a subject worthy of serious art. Married to Édouard Manet's brother, she was deeply embedded in the Impressionist circle, yet her voice remained distinctly her own: subtle, penetrating, and radiantly modern.
1997–2012
Born into smartphones, social media, and school shootings. The most diverse generation in history. Pragmatic about money, fluid about identity, anxious about the climate. They do not remember a world before the internet.
Cora was born in 2001, placing them squarely in the Generation Z. The events that shaped this generation — social media, climate anxiety, and a pandemic — shaped the world they entered and the choices available to them.
The biggest hits of 2001
#1 Movie
Harry Potter and the Sorcerer's Stone
Best Picture
A Beautiful Mind
#1 TV Show
Survivor
The world at every milestone
September 11 attacks transform the world
Twitter launches; Pluto reclassified as dwarf planet
Russia annexes Crimea; Ebola outbreak in West Africa
#MeToo movement; solar eclipse crosses the US
First image of a black hole; Hong Kong protests
Russia invades Ukraine; Queen Elizabeth II dies
She was the granddaughter of the influential Rococo painter Jean-Honoré Fragonard.
Early in her career, she copied Old Master paintings at the Louvre, where she met Édouard Manet.
Many of her models were family members, including her sister Edma and her daughter Julie.
Despite her success, she was often referred to in contemporary reviews as a 'feminine' talent, a label she transcended.
“It is important to express oneself... provided the feelings are real and are taken from your own experience.”