

He painted the dizzying, flirtatious spirit of pre-Revolutionary France with a brush that seemed to dance across the canvas.
Jean-Honoré Fragonard emerged from the sun-drenched south of France to become the defining painter of the Rococo's final, most spirited act. Trained under masters like Chardin and Boucher, he won the prestigious Prix de Rome but ultimately forged a path outside the official Salon, creating works for a private, pleasure-seeking aristocracy. His canvases are worlds of lush gardens, billowing silk, and stolen kisses, executed with a breathtaking speed and fluidity that made his scenes feel breathless and alive. Fragonard's career evaporated with the French Revolution, his style synonymous with the decadence the new order sought to erase, yet his work endures as a masterful capture of a society chasing delight on the edge of an abyss.
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Only five of his more than 550 paintings are definitively dated.
He was the son of a glove-maker from Grasse, the perfume capital of France.
During the Revolution, he found protection and employment on the committee organizing the new national museum, the Louvre.
His granddaughter was the celebrated Romantic painter and memoirist, Hortense Haudebourt-Lescot.
“I paint with my heart, not with my hand.”