

A sonic anarchist who shreds hip-hop's rulebook with glitchy, confrontational beats and razor-sharp critiques of modern culture.
Born Barrington Hendricks in Brooklyn and shaped by a childhood split between there and the American South, JPEGMAFIA's music is a direct product of his restless, disruptive journey. After a stint in the U.S. Air Force, he began crafting a defiantly independent path, self-releasing projects that fused the raw energy of punk with the fractured textures of digital noise. His 2018 album 'Veteran' was a watershed, its chaotic production and sardonic wit establishing him as a singular voice unwilling to placate mainstream tastes. He doubled down on this aesthetic with 'All My Heroes Are Cornballs,' weaving melodic fragments into his abrasive soundscapes. Operating largely outside the traditional industry machine, JPEGMAFIA builds a visceral, unpredictable world where political fury and surreal humor collide, challenging listeners to find beauty in the breakdown.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
JPEGMafia was born in 1989, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1989
#1 Movie
Batman
Best Picture
Driving Miss Daisy
#1 TV Show
Roseanne
The world at every milestone
Berlin Wall falls; Tiananmen Square protests
Nelson Mandela elected president of South Africa
Euro currency enters circulation
Hurricane Katrina devastates New Orleans; YouTube launches
iPhone released; Great Recession begins
Deepwater Horizon oil spill; iPad launched
First image of a black hole; Hong Kong protests
He served in the United States Air Force and was deployed to Iraq.
He was born in Flatbush, Brooklyn, but spent much of his teenage years in Alabama and Louisiana.
His stage name is a combination of the JPEG image format and the militant group MOVE, reflecting his themes of digital decay and revolution.
He is an avid user of the music production software FL Studio.
“I'm not here to make you comfortable. I'm here to make good music.”