

An Australian storyteller who pivoted from acclaimed stage actor to a director capturing the rugged, humorous soul of ordinary lives on film.
Jeremy Sims carved his path in Australian arts from the ground up, first making his mark as a formidable and physically commanding stage actor with companies like Bell Shakespeare and Sydney Theatre Company. This foundation in character and narrative naturally led him behind the camera. His directorial feature debut, 'Last Train to Freo,' was a tense, dialogue-driven chamber piece that announced a sharp cinematic eye. He found his signature, however, by looking westward. Films like 'Beneath Hill 60' and 'Last Cab to Darwin' showcased his affinity for the Australian landscape and the resilient, often quirky individuals who inhabit it. Sims doesn't make epics about heroes; he makes poignant, grounded films about miners, taxi drivers, and farmers, finding profound drama and dry humor in their struggles, solidifying his place as a distinctive voice in Australian cinema.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Jeremy was born in 1966, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1966
#1 Movie
The Bible: In the Beginning
Best Picture
A Man for All Seasons
#1 TV Show
Bonanza
The world at every milestone
Star Trek premieres on television
Voting age lowered to 18 in the US
Iran hostage crisis begins; Three Mile Island accident
Michael Jackson releases Thriller
Apple Macintosh introduced
Black Monday stock market crash
Dolly the sheep cloned
Twitter launches; Pluto reclassified as dwarf planet
Donald Trump elected president; Brexit vote
He is a trained chef and once worked in restaurants before his acting career took off.
He is a passionate advocate for Australian stories and often shoots on location in remote parts of the country.
He made his directorial debut with the stage play 'The Return' before moving to film.
“Australian stories need dirt under their nails and truth in their hearts.”