A pioneering art historian who broke the glass ceiling to lead two major museums and shaped the understanding of Degas.
Jean Sutherland Boggs approached art history with a detective's eye and a curator's passion. Born in Peru to Canadian parents, she cultivated an international perspective that served her brilliantly. As a scholar, she became a leading authority on Edgar Degas, unraveling the complexities of his process and his vast, disorganized trove of work. Her acumen led her to the top of a male-dominated field: she was the first woman to direct the National Gallery of Canada, where she championed the building of its new home, and later the Philadelphia Museum of Art. Boggs was not just an administrator; she was a builder and a shaper of collections, whose intellectual rigor and quiet determination expanded the public's access to great art on both sides of the border.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Jean was born in 1922, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1922
#1 Movie
Robin Hood
The world at every milestone
King Tut's tomb discovered in Egypt
Lindbergh flies solo across the Atlantic; The Jazz Singer premieres
Social Security Act signed into law
Kristallnacht and the escalation toward WWII
The Blitz: Germany bombs London
Allies invade Sicily; Battle of Stalingrad ends
Queen Elizabeth II ascends the throne
Cuban Missile Crisis brings the world to the brink
Watergate break-in; last Apollo Moon mission
Michael Jackson releases Thriller
LA riots after Rodney King verdict
Euro currency enters circulation
Russia annexes Crimea; Ebola outbreak in West Africa
She taught a young Steve Martin in an art history class at the University of California, and they remained friends.
She was once offered a position as a spy for the OSS (precursor to the CIA) during World War II due to her language skills.
She discovered a previously unknown portrait by Degas in a private collection, attributing it through her meticulous research.
“Degas taught me to look for the story behind the brushstroke.”