

A painter of modern life who captured the fleeting grace of ballerinas and the unguarded intimacy of women at their toilette.
Edgar Degas stood apart from his Impressionist peers, a misanthropic classicist obsessed with movement and modern Parisian society. While he exhibited with the Impressionists, he rejected painting outdoors, preferring the controlled environment of the studio, the ballet rehearsal room, and the racetrack. His true subject was the human body in motion—the straining muscles of a dancer, the coiled tension of a jockey on a horse. He pioneered unusual, off-center compositions, viewing his subjects from sharp angles as if through a keyhole, which gave his work a startling immediacy. In later years, as his eyesight failed, he turned increasingly to pastels and sculpture, creating rough, textured figures of dancers and bathers that radiated raw, tactile energy. Degas redefined artistic observation, transforming fleeting moments into monuments of studied casualness.
The biggest hits of 1834
The world at every milestone
New York City opens its first subway line
World War I begins
Russian Revolution overthrows the tsar; US enters WWI
He was a passionate photographer and used his own photos as studies for paintings.
He had a famous feud with the painter Édouard Manet, which began when Degas gave Manet a portrait he had painted of Manet and his wife; Manet cut the wife out of the canvas.
He was an ardent anti-Dreyfusard during the controversial Dreyfus Affair in France.
He never married and was known for being notoriously reclusive and irritable in his later years.
“Art is not what you see, but what you make others see.”