

A photographer with a scientist's eye, she rescued a genius from obscurity and then permanently changed how we see the city of New York.
Berenice Abbott arrived in photography almost by accident, first as a darkroom assistant in 1920s Paris. There, she performed one of the medium's great acts of preservation, resurrecting the work of the forgotten Eugène Atget, whose influence would deeply shape her. Returning to a rapidly changing New York, she embarked on her monumental 'Changing New York' project. With a stark, geometric clarity, she documented the collision of old and new architecture, creating an unmatched visual census of the city's soul. Never content, she later turned her lens to the invisible forces of physics, creating startlingly beautiful images that explained scientific principles. Abbott's career was a lifelong argument for realism, proving that a camera, in the right hands, could be both a precise documentary tool and a powerful instrument of art.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Berenice was born in 1898, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1898
The world at every milestone
Spanish-American War; US emerges as a world power
Wright brothers achieve first powered flight
Triangle Shirtwaist Factory fire kills 146 in New York
World War I begins
The Battle of the Somme claims over a million casualties
Treaty of Versailles signed; Prohibition ratified
Alexander Fleming discovers penicillin; Mickey Mouse debuts
Kristallnacht and the escalation toward WWII
Israel declares independence; Berlin Blockade begins
NASA founded
Martin Luther King Jr. and Robert Kennedy assassinated
First test-tube baby born
Soviet Union dissolves; World Wide Web goes public
She originally went to Paris to study sculpture and was a part of the city's avant-garde artistic community.
She briefly ran her own portrait studio in Paris, where she photographed figures like James Joyce and Jean Cocteau.
She was a passionate critic of the subjective style of 'artistic' photography, championing straight, unmanipulated images.
She invented and patented several photographic tools, including a distortion-correcting lens for architectural photography.
“Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.”