

A German scholar who illuminates the musical and theological world of medieval visionary Hildegard of Bingen for a modern audience.
Barbara Stühlmeyer is a quiet force in the world of medieval studies, dedicating her academic life to unpacking the rich legacy of the 12th-century abbess Hildegard of Bingen. Operating as an independent scholar and author, her work bridges theology and musicology with a practitioner's depth; she is also a Benedictine Oblate, living her research within a spiritual tradition. Stühlmeyer's approach is not one of dry archival work but of passionate recovery, translating Hildegard's complex musical notation, symbolic language, and holistic vision into terms that resonate today. She has authored definitive texts and guides on Hildegard's songs, seeing them not as mere historical artifacts but as living expressions of cosmology and faith. Her writing invites readers and listeners into the soundscape of a medieval monastery, arguing for its continued relevance in discussions of ecology, medicine, and art.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Barbara was born in 1964, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1964
#1 Movie
Mary Poppins
Best Picture
My Fair Lady
#1 TV Show
Bonanza
The world at every milestone
Civil Rights Act signed; Beatles arrive in America
Apollo 11: humans walk on the Moon; Woodstock festival
Star Wars premieres; Elvis dies
John Lennon shot and killed in New York
Michael Jackson releases Thriller
Live Aid concerts raise money for Ethiopian famine
Nelson Mandela elected president of South Africa
Indian Ocean tsunami kills over 230,000
Russia annexes Crimea; Ebola outbreak in West Africa
AI reshapes industries; Paris Olympics
She is an Oblate of the Order of St. Benedict (OblOSB), meaning she is formally associated with a Benedictine community while living in the world.
Stühlmeyer has also written extensively on the history of the liturgy and its music beyond Hildegard.
She contributes regularly to German Catholic publications and radio programs on topics of faith and culture.
“Hildegard's music is not mere composition; it is a theological language sung into being.”