

He broke the classical mold, using fractured forms and emotional intensity to capture the restless spirit of modern humanity in bronze and marble.
Auguste Rodin entered the art world through the back door, repeatedly failing the entrance exams for the prestigious École des Beaux-Arts. He spent his formative years as a commercial ornament carver, a practical education that gave him a mastery of materials but left him outside the official salons. His early major work, 'The Age of Bronze,' was so lifelike he was accused of casting it from a living model—a charge that scandalized the art world but proved his genius. Rodin’s great project, the never-finished 'Gates of Hell' for a decorative arts museum, became a laboratory for his most famous figures, including 'The Thinker' and 'The Kiss.' He rejected the smooth, idealized forms of neoclassicism, instead modeling clay with a violent, passionate touch that left the marks of his fingers visible, creating surfaces that seemed to breathe and pulse with psychological turmoil. By the end of his life, this once-rejected craftsman had overturned centuries of tradition, establishing sculpture as a medium capable of expressing the raw, complex interior life of the individual.
The biggest hits of 1840
The world at every milestone
Edison patents the incandescent light bulb
Wounded Knee massacre marks the end of the Indian Wars
Boxer Rebellion in China
Halley's Comet makes its closest approach
Russian Revolution overthrows the tsar; US enters WWI
He worked for several years in the studio of Albert-Ernest Carrier-Belleuse, primarily producing decorative objects.
He maintained a long, complex, and professionally vital relationship with sculptor Camille Claudel.
Many of his most famous works, like 'The Kiss,' were originally part of his massive 'Gates of Hell' commission.
He owned a vast collection of ancient Greek, Roman, and Egyptian sculptures, which influenced his work.
““I invent nothing, I rediscover.””