

A chemist by day and a composer by passion, he wove the vastness of the Russian steppe into lush, timeless symphonies and operas.
Alexander Borodin lived a double life of extraordinary achievement. By profession, he was a respected chemist and professor, a founder of medical courses for women in St. Petersburg. By obsession, he was a self-taught musical genius. As a key member of 'The Mighty Handful'—a group dedicated to creating a distinctly Russian sound—Borodin composed not for a living, but for love. His output was slow, squeezed between lectures and lab work, yet it was monumental. His symphonies thrum with epic grandeur, while 'In the Steppes of Central Asia' paints a vivid, nomadic soundscape. His unfinished opera 'Prince Igor', completed after his death by Rimsky-Korsakov and Glazunov, contains the thrillingly rhythmic 'Polovtsian Dances'. Borodin's music feels both ancient and immediate, a bridge between European classical forms and the soul of the Eurasian plains, all created in the stolen hours of a scientific mind.
The biggest hits of 1833
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He was a legitimate chemist and published notable research on aldehydes.
He was an advocate for women's education and helped establish the School of Medicine for Women in St. Petersburg.
The Broadway musical 'Kismet' is almost entirely based on melodies from Borodin's compositions.
He died suddenly at a costume ball, collapsing from a heart attack while dancing.
“I am a composer in my spare time, between my experiments and my lectures.”