

A pivotal but under-sung architect of early jazz piano, whose 'Weary Blues' became an anthem and whose teaching shaped the next generation in St. Louis.
In the crucible of Midwestern ragtime and early jazz, Artie Matthews was a quiet cornerstone. Based primarily in St. Louis and later Cincinnati, he was a pianist's pianist, possessing a formidable technique and a sophisticated harmonic sense that bridged the structured world of ragtime and the looser, blues-inflected style of jazz. While he composed several celebrated rags, his immortality was secured by a single tune: 'Weary Blues.' Though its authorship is sometimes debated, Matthews's published version in 1915 became the definitive article, a mournful, rolling masterpiece that would be recorded by everyone from Jelly Roll Morton to Louis Armstrong, becoming a standard of the early jazz repertoire. Beyond performing, Matthews was a dedicated educator and community figure. He founded the Cosmopolitan School of Music in Cincinnati, providing formal training to Black musicians at a time when such opportunities were scarce, and directed choirs, ensuring his musical knowledge flowed directly into the community that nurtured him.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Artie was born in 1888, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1888
The world at every milestone
World's Columbian Exposition dazzles Chicago
Queen Victoria dies, ending the Victorian era
New York City opens its first subway line
San Francisco earthquake devastates the city
Robert Peary claims to reach the North Pole
World War I ends; Spanish flu pandemic kills millions
Alexander Fleming discovers penicillin; Mickey Mouse debuts
Kristallnacht and the escalation toward WWII
Israel declares independence; Berlin Blockade begins
NASA founded
He was a close associate of other major St. Louis ragtime figures like Tom Turpin and Scott Joplin.
For much of his later career, he worked primarily as a church organist and choir director.
Some historians believe he may have helped Scott Joplin notate some of his later, more complex compositions.
His 'Pastime Rag No. 5' is considered one of the most difficult classic rags to play.
“The Weary Blues got their rhythm from the riverboats and the St. Louis levee.”