

A French cinematic intellectual whose emotionally sprawling, talkative films dissect family neuroses and the chaos of love.
Arnaud Desplechin emerged from the French film scene in the 1990s with a voice that was immediately distinctive: literary, psychologically dense, and unafraid of big emotions. His films, like 'My Sex Life... or How I Got Into an Argument' and the 'Esther Kahn' starring Summer Phoenix, are built on cascading dialogue and characters who analyze their own desires and failures with startling clarity. He frequently works with a rotating troupe of actors, including Mathieu Amalric and Catherine Deneuve, who return to inhabit his complex worlds. Desplechin's style is one of generous excess, weaving together references to philosophy, psychoanalysis, and classic cinema into vibrant, messy human tapestries. Whether exploring fraught family reunions in 'A Christmas Tale' or adapting Shakespeare, his work insists on the drama of thought and the enduring pain and joy of connection.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Arnaud was born in 1960, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1960
#1 Movie
Swiss Family Robinson
Best Picture
The Apartment
#1 TV Show
Gunsmoke
The world at every milestone
Kennedy-Nixon debates become first televised presidential debates
US sends combat troops to Vietnam
US withdraws from Vietnam; Roe v. Wade decided
Apple Computer founded; US bicentennial
First test-tube baby born
MTV launches; first Space Shuttle flight; AIDS identified
Hubble Space Telescope launched; Germany reunifies
Y2K passes without incident; contested Bush-Gore election
Deepwater Horizon oil spill; iPad launched
COVID-19 pandemic shuts down the world
He is known for writing new dialogue for his actors on set each day, even for scenes that were already scripted.
Desplechin has made several films starring his frequent collaborator and muse, Mathieu Amalric, as a character named Paul Dédalus.
He initially studied film criticism at IDHEC (now La Fémis), the prestigious French film school.
“I think cinema is the art of the present. It's the only art where you can show someone thinking.”