
The streetwise guitarist and rapper whose sneering energy helped define the Beastie Boys' chaotic, genre-smashing sound.
Adam Horovitz, as Ad-Rock, supplied the wiry, confrontational spark to the Beastie Boys, a hardcore band that pivoted to hip-hop. His guitar slashes and nasal, rapid-fire delivery drove era-defining records: 'Licensed to Ill' and 'Paul's Boutique.' Before he could drive, Horovitz had found his tribe in the downtown New York punk scene. The son of playwright Israel Horovitz, he brought a style mixing skate rat and b-boy to the group's sound. After the Beastie Boys ended following MCA's death, Horovitz remained low-key. He produces, remixes, and occasionally acts, carrying the anarchic spirit of the Boys forward.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Ad-Rock was born in 1966, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1966
#1 Movie
The Bible: In the Beginning
Best Picture
A Man for All Seasons
#1 TV Show
Bonanza
The world at every milestone
Star Trek premieres on television
Voting age lowered to 18 in the US
Iran hostage crisis begins; Three Mile Island accident
Michael Jackson releases Thriller
Apple Macintosh introduced
Black Monday stock market crash
Dolly the sheep cloned
Twitter launches; Pluto reclassified as dwarf planet
Donald Trump elected president; Brexit vote
He was briefly married to actress Ione Skye in the early 1990s.
Before joining the Beastie Boys, he was in the hardcore punk band The Young and the Useless.
He played a fictionalized version of himself in the 1994 film 'Roadside Prophets.'
He is a dedicated supporter of the charity Food Bank For New York City.
“We're the Beastie Boys, we like to rock the crowd.”