

He gave Bandung its sleek, modern face, blending European Art Deco with tropical sensibility in a burst of 1930s architectural optimism.
Albert Aalbers arrived in the Dutch East Indies in the late 1920s, finding in Bandung a city eager for a new architectural language. Moving beyond the prevailing Neo-Gothic and Indies styles, he became a leading figure in the city's 'laboratory' period, designing buildings that felt both internationally modern and locally grounded. His signature was a streamlined, aerodynamic Art Deco, using curved balconies, glass bricks, and horizontal lines to create a sense of motion and cool luxury. He mastered the challenge of tropical climate, employing cantilevered roofs, strategic ventilation, and open plans. While his career was cut short by World War II and Indonesian independence, his structures—like the Savoy Homann Hotel and the DENIS bank—remain iconic landmarks, defining the elegant, forward-looking spirit of pre-war Bandung.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Albert was born in 1897, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1897
The world at every milestone
The eruption of Mount Pelee kills 30,000 in Martinique
Halley's Comet makes its closest approach
The Federal Reserve is established
The Lusitania is sunk by a German U-boat
World War I ends; Spanish flu pandemic kills millions
Lindbergh flies solo across the Atlantic; The Jazz Singer premieres
Hindenburg disaster; Golden Gate Bridge opens
India gains independence; the Dead Sea Scrolls found
Sputnik launches the Space Age
Yuri Gagarin becomes the first human in space
The DENIS bank building was designed to resemble a ship, with its curved front evoking a prow cutting through the city.
He was interned by Japanese forces during their occupation of the Dutch East Indies in World War II.
Many of his original drawings and plans were lost during the war, making the surviving buildings themselves his primary archive.
“A building should be a clear, calm machine for modern tropical life.”