

A multi-hyphenate creative force who writes, directs, and stars in projects that dissect modern relationships with sharp wit and feminist insight.
Zoe Lister-Jones operates as a one-woman creative studio, building a unique space in film and television where the personal is always political, and comedy is laced with poignant observation. She first gained attention as a performer with a knack for delivering whip-smart, neurotic dialogue in shows like 'New Girl' and 'Life in Pieces.' But her true signature is behind the camera. Lister-Jones burst onto the indie scene with 'Band Aid,' a film she wrote, directed, and starred in, which used the metaphor of a band to explore a marriage in crisis. She followed this by taking the reins of 'The Craft: Legacy,' injecting the cult classic with a contemporary, collective-power ethos. Her work, often made with collaborative partners like Daryl Wein, is characterized by its DIY spirit, ensemble casts, and a persistent curiosity about how people connect, fail, and heal.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Zoe was born in 1982, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1982
#1 Movie
E.T. the Extra-Terrestrial
Best Picture
Gandhi
#1 TV Show
Dallas
The world at every milestone
Michael Jackson releases Thriller
Black Monday stock market crash
Oklahoma City bombing; Windows 95 released
Google founded; Clinton impeachment
Y2K passes without incident; contested Bush-Gore election
US invades Iraq; Human Genome Project completed
Curiosity rover lands on Mars; Sandy Hook shooting
Russia invades Ukraine; Queen Elizabeth II dies
She is married to fellow actor and filmmaker Daryl Wein, with whom she frequently collaborates.
She and her husband made the film 'How It Ends' during the COVID-19 pandemic, filming separately in their own homes.
She had a recurring role on the FX series 'The Other Woman' as a younger version of Natalie Morales's character.
She is a graduate of New York University's Tisch School of the Arts.
“I write parts for women who are messy and complicated because that's the truth.”