

A mesmerizing actress from Luxembourg whose subtle, formidable presence more than held its own against Daniel Day-Lewis.
Vicky Krieps arrived in international cinema not with a bang, but with a steady, unnerving gaze. Her role as Alma in Paul Thomas Anderson's 'Phantom Thread' was a masterclass in quiet assertion, her performance a delicate needle threading through the domineering world of Daniel Day-Lewis's Reynolds Woodcock. The Luxembourgish actress didn't just hold the screen; she commanded it, turning a period piece into a riveting battle of wills. That breakout was no accident, but the culmination of years of meticulous work in European theatre and film. Since then, she has deliberately chosen eclectic, challenging projects, from the psychological horror of 'The Nightingale' to the existential comedy of 'Old.' Krieps operates with a chameleonic fearlessness, avoiding the Hollywood track to build a filmography defined by artistic integrity and a profound, unsettling depth.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Vicky was born in 1983, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1983
#1 Movie
Return of the Jedi
Best Picture
Terms of Endearment
#1 TV Show
60 Minutes
The world at every milestone
Internet adopts TCP/IP, creating the modern internet
Pan Am Flight 103 bombed over Lockerbie
Dolly the sheep cloned
Columbine shooting; Y2K panic builds
September 11 attacks transform the world
Indian Ocean tsunami kills over 230,000
Edward Snowden reveals NSA surveillance programs
ChatGPT goes mainstream; Israel-Hamas war begins
She is fluent in Luxembourgish, German, French, and English.
Krieps initially studied theatre in Luxembourg before training at the Zurich University of the Arts.
Her great-grandfather was the Luxembourgish painter Sosthène Weis.
She often collaborates with her partner, director Guillaume Nicloux.
She performed all her own piano playing in 'Phantom Thread'.
“I'm not interested in playing the victim. I'm interested in playing people who have their own agency.”