

An Iranian-American filmmaker who turns her camera on the intimate, often hidden stories of identity and belonging in a globalized world.
Born in Tehran in 1974, Tanaz Eshaghian left Iran with her family after the revolution, a dislocation that would become a central theme in her work. Settling in New York City, she forged a path in documentary filmmaking defined by a personal, vérité style. Eshaghian doesn't just observe her subjects; she often immerses herself in their worlds, whether exploring the lives of transgender Iranians or examining her own family's complex history. Her films are known for their emotional resonance and their ability to navigate cultural taboos with a quiet, persistent curiosity. By focusing on individual stories of transformation and survival, she creates a nuanced portrait of the Iranian diaspora and the universal search for self.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Tanaz was born in 1974, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1974
#1 Movie
The Towering Inferno
Best Picture
The Godfather Part II
#1 TV Show
All in the Family
The world at every milestone
Nixon resigns the presidency
Iran hostage crisis begins; Three Mile Island accident
Black Monday stock market crash
Hubble Space Telescope launched; Germany reunifies
LA riots after Rodney King verdict
Oklahoma City bombing; Windows 95 released
Indian Ocean tsunami kills over 230,000
Russia annexes Crimea; Ebola outbreak in West Africa
AI reshapes industries; Paris Olympics
She is a graduate of the New York University Tisch School of the Arts.
Her film 'I Call Myself Persian' was funded in part by a grant from the Independent Television Service (ITVS).
“I film to understand the spaces between memory, home, and what we carry.”