

A Czech butcher's son who wove the soul of Slavic folk music into grand symphonies, bringing Bohemian fields to concert halls worldwide.
Born in a village north of Prague, Antonín Dvořák's early life was steeped in the folk tunes and dances of the Bohemian countryside. Trained as a butcher like his father, his musical talent was undeniable, leading him to the Prague Organ School and a decade of grinding work as a violist. His big break came when Johannes Brahms, impressed by his work, recommended him to a publisher. Dvořák's compositions, from the jubilant 'Slavonic Dances' to the profound 'Cello Concerto in B minor', achieved a rare synthesis. He didn't just quote folk melodies; he absorbed their spirit, rhythm, and emotional core into classical forms. His time in America as director of the National Conservatory produced his seminal 'New World' Symphony, which spoke of both American horizons and a deep, homesick longing for his Slavic roots. Dvořák's legacy is a vibrant, accessible body of work that made national music a universal language.
The biggest hits of 1841
The world at every milestone
Queen Victoria dies, ending the Victorian era
New York City opens its first subway line
He was an avid train spotter and maintained detailed notebooks of locomotive engine numbers.
Dvořák originally wrote the famous 'Humoresque No. 7' for piano, and it later became a standard violin piece.
He initially intended to become a butcher, following his father's trade, until a relative supported his musical studies.
A passionate pigeon fancier, he kept and bred birds throughout his life.
““I am just a plain Czech musician, disliking such exaggerated humility, and yet I am not ashamed to come before this great nation with my Czech heart.””