
A composer of towering, melancholic melodies, he poured the sorrow of exile into some of the piano's most technically demanding and emotionally devastating works.
Sergei Rachmaninoff composed the Second Piano Concerto after recovering from a creative paralysis triggered by the disastrous 1897 premiere of his First Symphony. A prodigy from a noble but declining family, he graduated from the Moscow Conservatory. The 1917 Revolution severed him from Russia forever. He emigrated to Scandinavia, then to the United States, where he maintained a grueling schedule as a touring virtuoso pianist to support his family. His composing was often relegated to summers on his Swiss estate. His music—from the haunting 'Vocalise' to the volcanic Third Piano Concerto and the symphonic poem 'The Isle of the Dead'—expressed a profound, nostalgic longing. His command of the piano and gift for melody secured his place in the concert hall firmament.
1860–1882
Born during or after the Civil War, they built industrial America — the railroads, the steel mills, the first skyscrapers. An era of massive wealth, massive inequality, and the belief that the future belonged to whoever could build it fastest.
Sergei was born in 1873, placing them squarely in The Gilded Age. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1873
The world at every milestone
Statue of Liberty dedicated in New York Harbor
Eiffel Tower opens in Paris
Wright brothers achieve first powered flight
The Federal Reserve is established
The Great Kanto earthquake devastates Tokyo
FDR's New Deal launches; Prohibition ends
Allies invade Sicily; Battle of Stalingrad ends
He was famed for having extremely large hands, capable of spanning a 13th on the piano keyboard.
Rachmaninoff was a keen amateur inventor and held a patent for a silent piano keyboard for practice.
He was deeply superstitious and would often perform his 'Prelude in C-sharp minor' as an encore, as its massive popularity annoyed him.
He worked briefly as a piano salesman in New York after fleeing Russia.
The failure of his First Symphony led to a three-year depression, during which he composed almost nothing.
““Music is enough for a lifetime, but a lifetime is not enough for music.””