

A pugnacious scholar who used razor-sharp philology to expose ancient forgeries and founded the modern critical study of classical texts.
Richard Bentley was the intellectual bruiser of English scholarship, a man who believed that the truth about ancient texts was won through grammatical combat. As Master of Trinity College, Cambridge, he was a turbulent, domineering presence, but his mind was unparalleled. His 1699 'Dissertation upon the Epistles of Phalaris' was a detonation in the literary world, using meticulous analysis of language and style to prove that a cherished collection of ancient letters was a later forgery. This work didn't just win a scholarly quarrel; it established the principles of historical philology—the idea that texts must be understood through historical context and linguistic evolution. Bentley’s later work on Horace and Milton was similarly bold, emending texts with a confidence that bordered on arrogance. He made enemies easily, but he also forged a new, rigorous path for classical studies, demanding evidence over tradition and earning a reputation as the father of English textual criticism.
The biggest hits of 1662
The world at every milestone
His feud with the satirist Alexander Pope led Pope to caricature him as 'slashing Bentley' in his poem 'The Dunciad.'
He was appointed the first Regius Professor of Divinity at Cambridge in 1717.
Bentley's proposed emendations to John Milton's 'Paradise Lost' were considered so presumptuous they sparked outrage among literary circles.
“A comma misplaced by a scribe can darken the meaning of a millennium.”