

A Dutch composer who builds sonic bridges between the rigorous structures of classical music and the raw energy of contemporary rock and electronic sound.
Patrick van Deurzen operates in the fertile ground where musical genres collide. Trained as a classical composer, he has never been confined by tradition, instead pulling the driving rhythms and distorted textures of rock and industrial music directly into the concert hall. His work is characterized by a visceral physicality; compositions often feature amplified instruments, relentless motoric pulses, and a cinematic sense of drama that feels more like a controlled explosion than a polite recital. He has written for a vast array of forces, from solo percussion and chamber ensembles to full symphony orchestra and opera, consistently demanding a new kind of virtuosity from performers. Based in The Hague, his voice is a distinct and forceful part of the Dutch new music scene, appealing to audiences who might not typically frequent classical venues.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Patrick was born in 1964, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1964
#1 Movie
Mary Poppins
Best Picture
My Fair Lady
#1 TV Show
Bonanza
The world at every milestone
Civil Rights Act signed; Beatles arrive in America
Apollo 11: humans walk on the Moon; Woodstock festival
Star Wars premieres; Elvis dies
John Lennon shot and killed in New York
Michael Jackson releases Thriller
Live Aid concerts raise money for Ethiopian famine
Nelson Mandela elected president of South Africa
Indian Ocean tsunami kills over 230,000
Russia annexes Crimea; Ebola outbreak in West Africa
AI reshapes industries; Paris Olympics
He is a founding member of the ensemble LOOS, a pioneering group in the Dutch experimental music scene.
Van Deurzen has collaborated extensively with the Dutch percussionist and conductor Arnold Marinissen.
He studied composition at the Royal Conservatory in The Hague with composers including Louis Andriessen and Gilius van Bergeijk.
“I am a composer who works with the noise of electric guitars and the pulse of machines.”