

An Israeli artist who uses video, text, and performance to dissect the awkward poetry and hidden violence of everyday communication.
Keren Cytter's work exists in the uncomfortable, fascinating space between how we talk and what we mean. Based in Berlin and New York, she constructs video installations, drawings, and plays that feel like dreams of mundane life gone slightly wrong. Her videos often feature non-professional actors reciting fragmented, overlapping dialogue, creating a sense of psychological unease and dark humor. She explores themes of love, power, family dynamics, and the clichés of film and television, breaking them apart to reveal their underlying strangeness. A restless innovator, she has also founded an experimental theater group and published novels, consistently pushing at the boundaries of narrative. Her art doesn't offer easy answers but instead holds up a distorted mirror to the scripts we all unconsciously follow.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Keren was born in 1977, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1977
#1 Movie
Star Wars
Best Picture
Annie Hall
#1 TV Show
Happy Days
The world at every milestone
Star Wars premieres; Elvis dies
Michael Jackson releases Thriller
Hubble Space Telescope launched; Germany reunifies
European Union officially established
Oklahoma City bombing; Windows 95 released
Google founded; Clinton impeachment
iPhone released; Great Recession begins
#MeToo movement; solar eclipse crosses the US
She originally studied music before turning to visual arts.
Her video works are often produced quickly and with a low-budget, DIY aesthetic.
She is a founding member of the artist-run project space 'Chapter 1' in New York.
“I'm interested in the failure of communication, in the spaces between what we say and what we mean.”