

A Hong Kong multi-hyphenate who transitioned from national water polo to captivating audiences as a model and screen actor.
Kenji Fan represents a new generation of Hong Kong entertainers, building a career that defies easy categorization. Born in 2002, his first arena of competition was the swimming pool, where he played water polo for the Hong Kong national team, demonstrating early athletic discipline. The son of former footballer Fan Chun Yip, performance seems to run in the family. He smoothly pivoted to fashion, where his striking looks made him a sought-after model. This visibility opened doors to television and film, with his acting debut coming alongside established star Aaron Kwok in 'My First of May.' Fan has since balanced roles in series like 'The Promise of the Soul' with hosting duties on lifestyle and variety shows, showcasing a versatile charm that connects with younger audiences across multiple platforms.
1997–2012
Born into smartphones, social media, and school shootings. The most diverse generation in history. Pragmatic about money, fluid about identity, anxious about the climate. They do not remember a world before the internet.
Kenji was born in 2002, placing them squarely in the Generation Z. The events that shaped this generation — social media, climate anxiety, and a pandemic — shaped the world they entered and the choices available to them.
The biggest hits of 2002
#1 Movie
Spider-Man
Best Picture
Chicago
#1 TV Show
Friends
The world at every milestone
Euro currency enters circulation
iPhone released; Great Recession begins
Paris climate agreement; same-sex marriage legalized in the US
Royal wedding of Harry and Meghan; Parkland shooting
COVID-19 pandemic shuts down the world
ChatGPT goes mainstream; Israel-Hamas war begins
He is the son of former Hong Kong professional footballer Fan Chun Yip.
His first name, Kenji, is of Japanese origin, meaning 'strong, vigorous.'
He balances careers in modeling, acting, and television hosting simultaneously.
“My discipline from the pool is now for the camera and the script.”