

A precocious, scandalous draftsman who used stark black ink to define the decadent visual style of the 1890s, all before dying at 25.
Aubrey Beardsley erupted onto the London art scene as a wunderkind, a self-taught illustrator whose severe, elegant linework became synonymous with the decadent spirit of the fin de siècle. His drawings, executed entirely in striking black ink, were a startling fusion of Japanese print composition, erotic suggestion, and grotesque caricature. Hired as the art editor for 'The Yellow Book,' he made the publication a beacon of the aesthetic movement. His most famous work, the illustrations for Oscar Wilde's 'Salomé,' captured the play's dangerous sensuality and cemented his notoriety. Beardsley's work was both celebrated and reviled for its overt themes; when Wilde was disgraced, Beardsley was unfairly tainted and dismissed from 'The Yellow Book.' He spent his final years, ravaged by tuberculosis, converting to Catholicism and pleading with his publisher to destroy his 'sinful' drawings. In his brief, seven-year career, he produced a vast body of work that fundamentally shaped the emerging Art Nouveau style and left a permanent mark on graphic design.
1860–1882
Born during or after the Civil War, they built industrial America — the railroads, the steel mills, the first skyscrapers. An era of massive wealth, massive inequality, and the belief that the future belonged to whoever could build it fastest.
Aubrey was born in 1872, placing them squarely in The Gilded Age. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1872
The world at every milestone
Karl Benz builds the first gasoline-powered automobile
Wounded Knee massacre marks the end of the Indian Wars
World's Columbian Exposition dazzles Chicago
Spanish-American War; US emerges as a world power
He was almost entirely self-taught as an artist, developing his style by studying works in the British Museum.
He published his first major work, an illustration for the 'Le Morte d'Arthur,' at the age of 20.
Much of his correspondence was with his sister, Mabel, who was also an artist and his lifelong supporter.
He died of tuberculosis in the French resort town of Menton at the age of 25.
“"I have one aim—the grotesque. If I am not grotesque I am nothing."”