
A precocious, scandalous draftsman who used stark black ink to define the decadent visual style of the 1890s, all before dying at 25.
Aubrey Beardsley's stark black ink illustrations for Oscar Wilde's 'Salomé' captured the play's dangerous sensuality and defined fin de siècle decadence. Born in 1872, the self-taught wunderkind erupted onto the London art scene, fusing Japanese print composition with erotic suggestion and grotesque caricature. As art editor for 'The Yellow Book,' he made the publication a beacon of the aesthetic movement. His work was celebrated and reviled for overt themes; when Wilde was disgraced, Beardsley was unfairly tainted and dismissed from the magazine. Ravaged by tuberculosis, he converted to Catholicism in his final years, pleading with his publisher to destroy his 'sinful' drawings. In his brief seven-year career, he produced a vast body that shaped Art Nouveau and left a permanent mark on graphic design.
1860–1882
Born during or after the Civil War, they built industrial America — the railroads, the steel mills, the first skyscrapers. An era of massive wealth, massive inequality, and the belief that the future belonged to whoever could build it fastest.
Aubrey was born in 1872, placing them squarely in The Gilded Age. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1872
The world at every milestone
Karl Benz builds the first gasoline-powered automobile
Wounded Knee massacre marks the end of the Indian Wars
World's Columbian Exposition dazzles Chicago
Spanish-American War; US emerges as a world power
He was almost entirely self-taught as an artist, developing his style by studying works in the British Museum.
He published his first major work, an illustration for the 'Le Morte d'Arthur,' at the age of 20.
Much of his correspondence was with his sister, Mabel, who was also an artist and his lifelong supporter.
He died of tuberculosis in the French resort town of Menton at the age of 25.
“"I have one aim—the grotesque. If I am not grotesque I am nothing."”