

An 18th-century writer whose witty ballad opera savaged political corruption and invented a new, wildly popular form of musical theatre.
John Gay was the quintessential early 18th-century man of letters, a friend of Pope and Swift who navigated London's literary scene with charm and sharp wit. Born in 1685 to a modest family, he found patronage among the aristocracy but never reliable fortune, a theme that colored his work. His masterpiece, 'The Beggar's Opera' (1728), was a calculated subversion. Set in the criminal underworld, its thieves and prostitutes were transparent stand-ins for the corrupt ministers of Robert Walpole's government. The genius was in its form: ditching Italian opera for popular English ballads and street tunes, it created the 'ballad opera' and became a phenomenal hit. Its sequel, 'Polly', was banned for being too pointed. Gay died in 1732, but his creation lived on, its cynical romance between Macheath and Polly Peachum evolving over centuries into Brecht's 'Threepenny Opera'. He was buried in Westminster Abbey under an epitaph he penned himself, a final, elegant piece of self-fashioning.
The biggest hits of 1685
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The phenomenal success of 'The Beggar's Opera' was said to have made 'Gay rich and Rich gay,' a pun on its producer, John Rich.
His sequel, 'Polly', was banned from performance by the Lord Chamberlain, making it a bestselling published play instead.
He wrote the libretto for Handel's early opera 'Acis and Galatea'.
“Life is a jest; and all things show it. I thought so once; but now I know it.”