

A gruff-voiced mentor in Greenwich Village, he schooled a generation of folk singers, from Dylan to Joni Mitchell, in the art of traditional song.
Dave Van Ronk was the bedrock of the 1960s Greenwich Village folk revival, a towering, bear-like figure with a voice like gravel and a heart devoted to musical tradition. His apartment was a waystation and his guitar a teaching tool for wide-eyed arrivals like Bob Dylan and Joni Mitchell, who absorbed his deep knowledge of blues, ragtime, and folk ballads. Van Ronk was no purist, however; his arrangements were sophisticated and jazz-inflected, and he fearlessly reinterpreted material from artists like Jelly Roll Morton. He never chased mainstream fame, preferring the role of scene elder and craftsman. His influence is immeasurable, not in chart positions, but in the DNA of the folk movement—he was the connective tissue between the old guard and the new wave of singer-songwriters who would change American music.
1928–1945
Born between the Depression and the end of WWII. Too young to fight, old enough to remember. They became the conformist middle managers of the 1950s — and the civil rights leaders who quietly dismantled Jim Crow.
Dave was born in 1936, placing them squarely in The Silent Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1936
#1 Movie
San Francisco
Best Picture
The Great Ziegfeld
The world at every milestone
Jesse Owens wins four golds at the Berlin Olympics
Pearl Harbor attack brings the US into WWII
NATO founded; Mao proclaims the People's Republic of China
Queen Elizabeth II ascends the throne
Brown v. Board of Education desegregates US schools
Sputnik launches the Space Age
Star Trek premieres on television
Apple Computer founded; US bicentennial
Challenger disaster; Chernobyl nuclear meltdown
Dolly the sheep cloned
Euro currency enters circulation
He turned down an invitation to join the folk group The Weavers, preferring his solo career.
He was a committed socialist and activist, often involved in political causes.
The Coen Brothers film 'Inside Llewyn Davis' is loosely inspired by his memoir, 'The Mayor of MacDougal Street'.
“I never wanted to be a star. I just wanted to be a working musician.”