

An 18th-century English musical polymath whose elegant compositions and sharp wit made him a fixture of London's cultural scene.
William Jackson, forever tagged 'of Exeter' to distinguish him from a contemporary, was far more than a provincial organist. He built a life at the intersection of music, art, and society in Georgian England. As a composer, his output was tuneful and accessible, with his pastoral opera 'Lycidas' and numerous glees and catches finding popular favor. For decades, he presided over the music at Exeter Cathedral, shaping its sonic character. But Jackson's influence extended beyond the organ loft. He was a capable painter, a published author on musical theory, and a known social figure in London, his company sought after for its intelligence and humor. His legacy is that of a complete man of arts, embodying the integrated cultural ideal of his age.
The biggest hits of 1730
The world at every milestone
He was a skilled painter and exhibited his landscapes at the Royal Academy.
Jackson was a close friend of the painter Thomas Gainsborough.
His glee 'Which is the properest day to drink?' remained a popular convivial song for generations.
“A good melody is the soul of any composition.”