

A German-born artist who crafts immersive, forensic installations that blur the line between discovered history and meticulously fabricated fiction.
Iris Häussler operates in the shadows of the museum, not as a traditional exhibitor but as a creator of elaborate, believable fictions. Her work is less about objects on plinths and more about the construction of entire, lived-in realities. She stages hyperrealistic installations—a sculptor's abandoned studio, a Victorian maid's hidden quarters—that institutions present as genuine archaeological finds. Visitors are invited to piece together fragmentary narratives, handling objects, reading letters, and becoming detectives in a story of her invention. This deliberate confusion of truth and artifice is her central medium, probing how history is constructed, how trauma is buried, and how we project meaning onto the artifacts of the past. Based in Toronto, her projects require years of research and painstaking craftsmanship, resulting in environments so dense with detail they challenge the very authority of the museums that host them.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Iris was born in 1962, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1962
#1 Movie
Lawrence of Arabia
Best Picture
Lawrence of Arabia
#1 TV Show
Beverly Hillbillies
The world at every milestone
Cuban Missile Crisis brings the world to the brink
Summer of Love in San Francisco; first Super Bowl
Fall of Saigon ends the Vietnam War
First test-tube baby born
John Lennon shot and killed in New York
Internet adopts TCP/IP, creating the modern internet
LA riots after Rodney King verdict
Euro currency enters circulation
Curiosity rover lands on Mars; Sandy Hook shooting
Russia invades Ukraine; Queen Elizabeth II dies
She initially studied photography before moving into large-scale installation art.
Her projects often involve extensive collaboration with historians, curators, and craftspeople to achieve verisimilitude.
She has stated that her work is influenced by the concept of 'the museum as a site of fiction.'
Some of her installations remain 'undiscovered' by the public for the duration of the exhibition, with the fiction revealed only later.
“The artwork is not the object; it is the entire situation, including the viewer's doubt.”