

The composer who gave Britain its unofficial national anthem 'Jerusalem' and shaped a generation of musicians as a transformative educator.
Hubert Parry emerged from the shadow of the German musical tradition to help forge a distinct sound for British music at the turn of the 20th century. Though born into aristocracy, his passion was composition and teaching. His stirring choral works, like 'Blest Pair of Sirens' and the coronation anthem 'I was glad', captured a new public confidence. His setting of William Blake's 'Jerusalem' became an instant, enduring emblem of national spirit. As a professor and later director of the Royal College of Music, he was perhaps even more influential, mentoring a who's who of British composition including Ralph Vaughan Williams, Gustav Holst, and Frank Bridge. He championed Bach and Handel, raising scholarly standards, and his own symphonies sought a grand, Brahmsian voice for England. Parry provided the artistic backbone for a musical renaissance, blending Victorian grandeur with a budding pastoral simplicity that would define the English style for decades.
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He was an accomplished mountaineer and sailor, and his love for the sea is reflected in works like his *Symphonic Variations*.
He composed the music for 'Dear Lord and Father of Mankind', a hymn set to the tune 'Repton' from his oratorio *Judith*.
He wrote the official anthem for Newfoundland, 'Ode to Newfoundland', which is still the province's official anthem today.
He initially studied law and worked at Lloyd's of London before committing fully to music, graduating from the Royal College of Music in his late twenties.
“The only artistic success worth having is to have expressed one's self fully, and to have been understood by a few kindred spirits.”