

The last prince-archbishop of Salzburg, a reformist ruler whose strained relationship with a young Mozart shaped music history.
Hieronymus von Colloredo presided over Salzburg during its final chapter as an independent ecclesiastical state. A man of the Enlightenment, he ascended to the archbishopric in 1772 with a reformer's zeal, aiming to modernize both church and government. He curtailed lavish Baroque ceremonies, promoted education, and sought to centralize administration. His legacy, however, is forever intertwined with that of his employee, Wolfgang Amadeus Mozart. Colloredo valued competent court musicians but had little patience for genius that demanded grand tours and operatic commissions. The relationship between the pragmatic, austere prince and the restless, brilliant composer deteriorated into mutual frustration, culminating in Mozart's famous dismissal—literally a kick in the backside from the archbishop's steward. When Napoleon's forces secularized Salzburg in 1803, Colloredo fled to Vienna, a ruler without a realm, living out his days as a bishop in title only, a relic of a vanished world.
The biggest hits of 1732
The world at every milestone
He played the violin and was considered a competent musician himself.
His strict policies and personal frugality earned him the nickname 'the Protestant bishop' from some of his Catholic critics.
After fleeing Salzburg, he lived in Vienna for nearly a decade, dying there in 1812.
“The splendor of the church should be found in its doctrine and discipline, not in empty ceremony.”