

An American Impressionist who turned the bustling, snow-cloaked canyons of New York City into scenes of vibrant, atmospheric beauty.
Guy Wiggins painted the American city with the soul of an Impressionist. Born into an artistic family—his father was a successful painter—Wiggins studied architecture but quickly turned to the brush. He found his signature subject not in the pastoral landscapes favored by many of his peers, but in the dynamic heart of early 20th-century Manhattan. His genius was in capturing the metropolis in winter, transforming what could be a bleak scene into a symphony of color and light. In his hands, a snowstorm on Fifth Avenue or a view of the Woolworth Building became a vibrant spectacle, with dashes of red and yellow from traffic and signage glowing against the white and gray. A central figure of the Old Lyme Art Colony in Connecticut, he balanced this urban focus with New England scenes. Wiggins’s work offered a romantic, yet lively, portrait of a modernizing America, making him one of the most popular interpreters of the New York cityscape of his era.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Guy was born in 1883, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1883
The world at every milestone
First modern Olympic Games held in Athens
Queen Victoria dies, ending the Victorian era
New York City opens its first subway line
The Federal Reserve is established
The Great Kanto earthquake devastates Tokyo
FDR's New Deal launches; Prohibition ends
Allies invade Sicily; Battle of Stalingrad ends
DNA structure discovered by Watson and Crick
Cuban Missile Crisis brings the world to the brink
He was the son of the noted landscape painter Carleton Wiggins.
He studied architecture at the Polytechnic Institute in Brooklyn before focusing on art.
During World War I, he served as a captain in the U.S. Army Corps of Engineers.
He maintained studios in both New York City and Old Lyme, Connecticut.
“I paint the blizzard on Fifth Avenue to find the city's quiet heart.”