

A pianist of profound depth whose live performances are immersive, unpredictable sonic events of concentrated intensity.
In an era of celebrity musicians, Grigory Sokolov is a devoted anomaly. The Russian pianist, who won the International Tchaikovsky Competition at sixteen, retreated from the competition circuit to pursue an almost monastic dedication to his art. He is a creature of the concert hall, where his recitals are legendary for their architectural command and emotional gravity. Sokolov prepares for months on a single program, which he then performs exclusively for a season. His playing combines a formidable, orchestral power with a delicate, polyphonic clarity, whether in the dense works of Brahms or the crystalline lines of Scarlatti. He shuns studio recordings, believing music exists only in the moment of performance, making his live recordings cherished documents. Avoiding interviews and the trappings of fame, Sokolov communicates solely through the piano, creating a direct, wordless dialogue with audiences that many describe as transcendent.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Grigory was born in 1950, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1950
#1 Movie
Cinderella
Best Picture
All About Eve
#1 TV Show
Texaco Star Theatre
The world at every milestone
Korean War begins
Rosa Parks refuses to give up her bus seat
JFK assassinated in Dallas; Martin Luther King's 'I Have a Dream' speech
Star Trek premieres on television
Martin Luther King Jr. and Robert Kennedy assassinated
Voting age lowered to 18 in the US
John Lennon shot and killed in New York
Hubble Space Telescope launched; Germany reunifies
Y2K passes without incident; contested Bush-Gore election
Deepwater Horizon oil spill; iPad launched
COVID-19 pandemic shuts down the world
Sokolov travels with his own piano action mechanic and often spends hours adjusting the piano before each concert.
He is an avid student of historical temperaments and often tunes his piano backstage to specific historical pitch standards.
For many years, he refused to perform in the United States due to visa requirements involving fingerprinting.
He frequently includes encores that last as long as the main program, sometimes playing for over three hours total.
“The piano is not an instrument of percussion; it is an instrument of illusion.”