

A Spanish master who evolved from royal painter to a searing commentator on human folly, war, and darkness.
Francisco Goya's career traces a breathtaking arc from the glittering heights of the Spanish court to the profound depths of private, haunting introspection. Appointed as a court painter in 1786, his early works captured the finery and foibles of royalty with a fluid, sometimes slyly critical, elegance. A severe illness in 1793 left him deaf, marking a pivotal turn toward more personal and expressive subjects, exemplified by the biting satires of 'Los Caprichos.' The brutal Peninsular War (1808-1814) shattered any remaining illusions, leading to the raw horror of 'The Disasters of War' prints and the monumental 'The Third of May 1808.' In his final years, living in self-imposed exile in Bordeaux, he produced the chilling 'Black Paintings' directly on his home's walls, leaving a legacy that broke from tradition and spoke directly to the modern psyche.
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Goya's official court title was 'Pintor de Cámara,' a position previously held by the famed Diego Velázquez.
He painted the Spanish royal family, including Queen Maria Luisa, with a famously unflattering realism that bordered on caricature.
The exact cause of his 1793 illness, which led to his deafness, remains a mystery, with theories ranging from lead poisoning to syphilis.
He signed some of his later works with a neologism, 'Goya sordo' (Goya the deaf).
His final home in Bordeaux, France, where he created his last works, was called 'Quinta del Sordo' (House of the Deaf Man).
“The sleep of reason produces monsters.”