

An Israeli poet who wields language to dissect the layered realities of being a Mizrahi woman, challenging national narratives from within.
Esther Shkalim's voice emerged from the intersection of identities often marginalized in Israeli society. As a Mizrahi feminist, her poetry and scholarship perform a crucial cultural excavation, recovering the histories, sounds, and textures of Jewish communities from the Middle East and North Africa. Her work refuses simple assimilation, instead holding the complexities of tradition and modernity, family and selfhood, in taut, vivid verse. Beyond writing, Shkalim acts as a curator and researcher, building archives of Jewish art and thought that counter a homogenized history. She has forged a space where the intimate stories of mothers, the scent of specific foods, and the rhythms of liturgical poetry become powerful political statements, reshaping the understanding of Israeli culture itself.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Esther was born in 1954, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1954
#1 Movie
White Christmas
Best Picture
On the Waterfront
#1 TV Show
I Love Lucy
The world at every milestone
Brown v. Board of Education desegregates US schools
Fidel Castro takes power in Cuba
Summer of Love in San Francisco; first Super Bowl
First Earth Day; The Beatles break up
Watergate break-in; last Apollo Moon mission
Fall of Saigon ends the Vietnam War
Apple Macintosh introduced
Nelson Mandela elected president of South Africa
Indian Ocean tsunami kills over 230,000
Russia annexes Crimea; Ebola outbreak in West Africa
AI reshapes industries; Paris Olympics
She was born in Jerusalem to a family with roots in the Jewish community of Afghanistan.
Shkalim often incorporates Judeo-Persian and other Jewish diaspora languages into her Hebrew poetry.
She has worked extensively with the Israel Museum in Jerusalem on cultural projects.
Her activism includes advocating for the inclusion of Mizrahi history in the Israeli school curriculum.
“My mother's tongue is a spice market, a forgotten song in the synagogue.”