

The master of Art Deco elegance whose sinuous, bejeweled designs defined the glamour of the Roaring Twenties and beyond.
Born Romain de Tirtoff in St. Petersburg, he fled the Russian Revolution for Paris and reinvented himself as Erté, a name derived from the French pronunciation of his initials. From his first cover for Harper's Bazaar in 1915, he became the quintessential illustrator of Jazz Age sophistication. His women were impossibly slender, draped in exotic furs and cascading beads, their silhouettes elongated against geometric patterns. This signature style transcended magazine pages, flowing into extravagant costume and set designs for the Folies Bergère, Broadway, and Hollywood films like 'Mata Hari.' For over seven decades, Erté's work was a consistent testament to luxury and fantasy, making him one of the most recognizable and commercially successful artists of the decorative arts in the 20th century.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Erté was born in 1892, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1892
The world at every milestone
Einstein publishes the theory of special relativity
Ford Model T goes into production
Halley's Comet makes its closest approach
The Federal Reserve is established
King Tut's tomb discovered in Egypt
Amelia Earhart flies solo across the Atlantic
Battle of Midway turns the tide in the Pacific
Queen Elizabeth II ascends the throne
Cuban Missile Crisis brings the world to the brink
Watergate break-in; last Apollo Moon mission
Hubble Space Telescope launched; Germany reunifies
His father was an admiral in the Imperial Russian Navy who disapproved of his artistic career.
He claimed to have designed every single costume for the Broadway show 'St. Louis Woman' (1946), totaling over 250 pieces.
He began working with serigraphy (silkscreen printing) in his seventies, producing highly collectible graphic works.
A great deal of his original work was lost in a studio fire in 1975.
“I always knew I would be successful. I never had any doubts. I was born with that feeling.”