

A Viennese wunderkind who escaped the Nazis and defined the sound of Hollywood swashbucklers with his lush, romantic orchestral scores.
Erich Wolfgang Korngold lived two magnificent musical lives. In pre-war Vienna, he was hailed as a Mozart-level child prodigy, composing operas that impressed Gustav Mahler. His second act began when he fled the Nazis for Hollywood. There, he didn't just write film music; he essentially invented the modern cinematic score for the era of sound. For films like 'The Adventures of Robin Hood,' he applied the full grandeur of late-Romantic orchestration, treating each adventure as a through-composed opera without singing. This approach earned him Oscars and created the template for epic storytelling in film. After the war, he returned to concert music, but his legacy was sealed: he had elevated movie music from background accompaniment to a serious art form, directly influencing every composer of fantasy and adventure films that followed.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Erich was born in 1897, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1897
The world at every milestone
The eruption of Mount Pelee kills 30,000 in Martinique
Halley's Comet makes its closest approach
The Federal Reserve is established
The Lusitania is sunk by a German U-boat
World War I ends; Spanish flu pandemic kills millions
Lindbergh flies solo across the Atlantic; The Jazz Singer premieres
Hindenburg disaster; Golden Gate Bridge opens
India gains independence; the Dead Sea Scrolls found
Sputnik launches the Space Age
Composer Gustav Mahler declared the young Korngold a genius after hearing one of his early compositions.
His father, Julius Korngold, was the powerful chief music critic of Vienna's leading newspaper.
He became a U.S. citizen in 1943 and scored war propaganda films for the Office of War Information.
“Music is music, whether it is for the stage, the cinema, or the concert hall.”