An artist who channeled the struggles and dignity of Black women into powerful sculptures and prints that challenged social injustice.
Elizabeth Catlett carved a path through the twin barriers of racism and sexism to become a defining visual voice of the 20th century. Born in Washington, D.C., into a family shaped by the legacy of slavery, she studied art at Howard University before becoming the first student to earn an MFA in sculpture from the University of Iowa. Denied opportunities in the United States, a 1946 fellowship led her to Mexico, where she joined the Taller de Gráfica Popular, a collective dedicated to socially-engaged printmaking. She later became a Mexican citizen. For over seven decades, her work—from the serene strength of her mahogany mother-and-child figures to the searing lines of her linocuts—centered the Black, and particularly the Black female, experience with an unflinching and graceful power. More than a studio artist, she was a teacher and activist, believing art should be accessible to all and serve as a weapon for social change.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Elizabeth was born in 1915, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1915
#1 Movie
The Birth of a Nation
The world at every milestone
The Lusitania is sunk by a German U-boat
Women gain the right to vote in the US
Alexander Fleming discovers penicillin; Mickey Mouse debuts
The Empire State Building opens as the world's tallest
FDR's New Deal launches; Prohibition ends
Jesse Owens wins four golds at the Berlin Olympics
WWII ends; atomic bombs dropped on Hiroshima and Nagasaki
Rosa Parks refuses to give up her bus seat
US sends combat troops to Vietnam
Fall of Saigon ends the Vietnam War
Live Aid concerts raise money for Ethiopian famine
Oklahoma City bombing; Windows 95 released
Curiosity rover lands on Mars; Sandy Hook shooting
She was married to the Mexican painter Francisco Mora for over 30 years.
The U.S. government once denied her a travel visa, classifying her as an 'undesirable alien' due to her political activism.
Her grandson is the contemporary artist and filmmaker Gabriel de la Mora.
She designed the 'Black Unity' fist, a powerful bronze sculpture, for the 1968 Olympics.
“I have always wanted my art to service my people — to reflect us, to relate to us, to stimulate us, to make us aware of our potential.”