

A bassist at bossa nova's birth and a Hammond organ pioneer who shaped the space-age sound of Brazilian jazz.
Born in Rio de Janeiro, Ed Lincoln emerged from the city's vibrant nightclub scene in the 1950s, his fingers finding the groove first on the double bass. He was there in the smoke-filled rooms when João Gilberto's new, syncopated guitar style met Antônio Carlos Jobim's harmonies, providing the foundational pulse for what became known as bossa nova. Never one to stand still, Lincoln soon embraced the electric organ, particularly the Hammond B-3, and with it forged a new path. He fused the cool sophistication of jazz with Brazilian rhythms and a dash of futuristic pop, creating instrumental albums that became the soundtrack for a modernizing, optimistic Brazil. His work as a composer, arranger, and bandleader left an indelible mark on the nation's musical identity, connecting its rich acoustic traditions to the electronic age.
1928–1945
Born between the Depression and the end of WWII. Too young to fight, old enough to remember. They became the conformist middle managers of the 1950s — and the civil rights leaders who quietly dismantled Jim Crow.
Ed was born in 1932, placing them squarely in The Silent Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1932
#1 Movie
Grand Hotel
Best Picture
Grand Hotel
The world at every milestone
Amelia Earhart flies solo across the Atlantic
Hindenburg disaster; Golden Gate Bridge opens
WWII ends; atomic bombs dropped on Hiroshima and Nagasaki
Israel declares independence; Berlin Blockade begins
Korean War begins
DNA structure discovered by Watson and Crick
Cuban Missile Crisis brings the world to the brink
Watergate break-in; last Apollo Moon mission
Michael Jackson releases Thriller
LA riots after Rodney King verdict
Euro currency enters circulation
Curiosity rover lands on Mars; Sandy Hook shooting
His 1966 album 'Ed Lincoln Trio' is considered a classic of Brazilian instrumental music.
He was a self-taught musician who began his career playing in Rio's famous Copacabana nightclubs.
Beyond music, he was also a trained chemical engineer.
His son, Lincoln Olivetti, became a highly influential record producer in Brazilian pop music.
“The bass is the foundation; it has to swing for the whole house to stand.”