He stripped art down to its essential boxes and stacks, creating severe, beautiful objects that demand you see the space around them.
Donald Judd didn't want you to call his work sculpture. The boxes, stacks, and progressions he began fabricating in the early 1960s were, in his mind, specific objects—things that simply existed in space without metaphor or illusion. Rejecting the expressive brushstroke of Abstract Expressionism, he employed industrial materials like plywood, metal, and Plexiglas, having them built to exact specifications. The result was an art of stunning clarity and presence. A prolific and cantankerous writer, Judd became minimalism's most articulate theorist, even as he resisted the label. In the 1970s, he transformed the desolate town of Marfa, Texas, into a permanent installation for his work and that of his peers, creating a pilgrimage site where art, architecture, and landscape fuse into a single, radical statement about how we perceive the world.
1928–1945
Born between the Depression and the end of WWII. Too young to fight, old enough to remember. They became the conformist middle managers of the 1950s — and the civil rights leaders who quietly dismantled Jim Crow.
Donald was born in 1928, placing them squarely in The Silent Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1928
#1 Movie
The Singing Fool
Best Picture
Wings
The world at every milestone
Alexander Fleming discovers penicillin; Mickey Mouse debuts
FDR's New Deal launches; Prohibition ends
Pearl Harbor attack brings the US into WWII
D-Day: Allied forces land at Normandy
United Nations holds its first General Assembly
NATO founded; Mao proclaims the People's Republic of China
NASA founded
Martin Luther King Jr. and Robert Kennedy assassinated
First test-tube baby born
Pan Am Flight 103 bombed over Lockerbie
Nelson Mandela elected president of South Africa
He served in the U.S. Army as an engineer in Korea in the late 1940s.
Judd initially studied philosophy and art history at Columbia University before becoming an artist.
He was a fierce critic of museums and the commercial art world, which he felt misunderstood his work.
He designed furniture, which he considered an equally serious artistic pursuit, and lived in a loft he designed in New York.
“A shape, a volume, a color, a surface is something itself. It shouldn't be concealed as part of a fairly different whole.”