

A versatile British actress who brings a sharp, watchful intelligence to roles ranging from post-apocalyptic survivor to period drama muse.
Imogen Poots emerged on screen with a scream, quite literally, in the horror sequel *28 Weeks Later*. That early role hinted at a capacity for raw intensity that she has since refined into a compelling, nuanced screen presence. Hailing from London, she bypassed drama school, learning her craft on set with a keen observational skill. She possesses a chameleonic quality, equally convincing as the enigmatic artist Linda Keith in a Hendrix biopic, the brittle socialite in *The Look of Love*, or the determined small-town waitress in *Green Room*. Poots consistently chooses interesting, often offbeat projects over mainstream fame, collaborating with distinctive directors. Her performances are marked by a thoughtful restraint and a luminous, slightly otherworldly quality that makes her one of British cinema's most intriguing and consistently surprising actors.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Imogen was born in 1989, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1989
#1 Movie
Batman
Best Picture
Driving Miss Daisy
#1 TV Show
Roseanne
The world at every milestone
Berlin Wall falls; Tiananmen Square protests
Nelson Mandela elected president of South Africa
Euro currency enters circulation
Hurricane Katrina devastates New Orleans; YouTube launches
iPhone released; Great Recession begins
Deepwater Horizon oil spill; iPad launched
First image of a black hole; Hong Kong protests
Her surname, Poots, is of Latvian origin.
She is an accomplished pianist.
She turned down a place at university to pursue acting full-time after her early film success.
She provided the voice for a character in the popular video game *The Last of Us Part II*.
“I'm not interested in playing the ingénue; I want the complicated, messy women.”