

A relentlessly inventive French composer who wove jazz, Brazilian rhythms, and multiple keys into a joyous, sprawling musical universe.
Darius Milhaud was a force of nature in 20th-century music, a member of the Parisian collective Les Six whose output was as vast as his influences were wide. Growing up in Provence and later studying at the Paris Conservatoire, he found his voice not in European tradition alone but in the sounds he encountered as a diplomat in Rio de Janeiro and the jazz of Harlem. These experiences fueled a style built on polytonality—the simultaneous use of several keys—creating music that could be bustling, melancholic, or exuberantly sunny, as in his iconic 'Le Bœuf sur le Toit.' A dedicated teacher, first in Paris and then for decades at Mills College in California, he shaped generations of American composers, from the jazz-pop of Burt Bacharach to the minimalism of Steve Reich, passing on not a dogma but an insatiable curiosity for sound.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Darius was born in 1892, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1892
The world at every milestone
Einstein publishes the theory of special relativity
Ford Model T goes into production
Halley's Comet makes its closest approach
The Federal Reserve is established
King Tut's tomb discovered in Egypt
Amelia Earhart flies solo across the Atlantic
Battle of Midway turns the tide in the Pacific
Queen Elizabeth II ascends the throne
Cuban Missile Crisis brings the world to the brink
Watergate break-in; last Apollo Moon mission
Nixon resigns the presidency
He suffered from severe rheumatoid arthritis for much of his life and composed while seated in a wheelchair.
He used his experiences in Brazil as a basis for the orchestral suite 'Saudades do Brasil.'
He and his wife, actress Madeleine Milhaud, are buried in the Jewish cemetery of his hometown, Aix-en-Provence.
“A composer who is afraid of writing something that is not original is like a gardener who is afraid to use his spade for fear it will make a hole in the ground.”