Charles Baudelaire
A Parisian poet of sin and spleen who dragged beauty from the gutter, forever changing how art confronts modern life.
1821–1867 (age 46)·French poet and critic·Birthday: April 9
Biography
In 1857, Charles Baudelaire published 'Les Fleurs du mal' (The Flowers of Evil), a collection that put the modern city on trial. Born into comfort in 1821, he squandered his inheritance on art, books, and opium, living a bohemian life that scandalized his family and the French establishment. He did not write of nymphs and shepherds. He wrote of swarming crowds, rotting carcasses, and the haunting eyes of the poor, alchemizing these subjects into verses of startling musicality and formal perfection. Prosecuted for obscenity, the book secured his notoriety and influence. As a critic, he was among the first to champion Delacroix and Edgar Allan Poe, whom he translated. Ravaged by debt, disease, and addiction, Baudelaire died partially paralyzed at 46. His work taught generations that beauty and horror are inseparable twins, and that the poet's role is to be a 'painter of modern life.'
#1 When Charles Was Born
The biggest hits of 1821
Charles's Life & Times
The world at every milestone
1821Born
1826Started school
1834Became a teenager
1837Could drive
1839Could vote
1842Turned 21
1851Turned 30
1861Turned 40
President: Abraham Lincoln
1867Died at 46
President: Andrew Johnson
Key Achievements
- Published 'Les Fleurs du mal' (1857), a seminal poetry collection that redefined lyric poetry by focusing on urban life, decay, and taboo subjects.
- Was successfully prosecuted for 'an outrage to public morals' due to the content of 'Les Fleurs du mal,' cementing his controversial status.
- Wrote the influential essay 'The Painter of Modern Life,' which defined the concept of the 'flâneur' and the artist's role in capturing contemporary existence.
- Produced masterful translations of the works of Edgar Allan Poe, introducing him to a wider French audience and influencing his own aesthetic.
Did You Know?
His family placed his finances under a legal council to control his spending, leading to a lifelong struggle with debt.
He was a passionate art critic and an early defender of the painter Eugène Delacroix and the composer Richard Wagner.
He contracted syphilis in his youth, a disease whose complications contributed to his early death.
He attempted suicide in 1845, an event that deepened the melancholic and desperate themes in his later work.
““The life of our city is rich in poetic and marvelous subjects. We are enveloped and steeped as though in an atmosphere of the marvelous.””
