

He transformed perfume from a mere accessory into a serious art form, curating it for museums and dissecting its science for the public.
Chandler Burr is a critic who treats scent the way others treat painting or symphony. Trained as an economist and journalist, he turned a personal fascination into a radical career pivot, becoming the first perfume critic for The New York Times. His writing demystifies the often-opaque fragrance industry, reviewing scents with the analytical rigor of a wine critic. His most audacious move was convincing the Museum of Arts and Design in New York to let him create 'The Art of Scent,' an exhibition that presented fragrances as standalone works of art, displayed in darkened rooms without bottles or branding. Burr argues that our most underrated sense deserves a critical language of its own, and he has spent decades building that lexicon.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Chandler was born in 1963, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1963
#1 Movie
Cleopatra
Best Picture
Tom Jones
#1 TV Show
Beverly Hillbillies
The world at every milestone
JFK assassinated in Dallas; Martin Luther King's 'I Have a Dream' speech
Martin Luther King Jr. and Robert Kennedy assassinated
Apple Computer founded; US bicentennial
Iran hostage crisis begins; Three Mile Island accident
MTV launches; first Space Shuttle flight; AIDS identified
Apple Macintosh introduced
European Union officially established
US invades Iraq; Human Genome Project completed
Edward Snowden reveals NSA surveillance programs
ChatGPT goes mainstream; Israel-Hamas war begins
He is openly gay and wrote a memoir, 'A Separate Creation,' about the search for a biological basis of homosexuality.
Before focusing on scent, he worked as a foreign correspondent in Tokyo.
He has described his method of reviewing perfume as 'blind,' often not knowing the brand or price when he first smells it.
He is a vocal critic of the fragrance industry's marketing, focusing criticism solely on the scent itself.
“Perfume is the only art that enters the body. We hang paintings on walls. We play music in spaces. But we actually take molecules of art inside of us.”