A painter of raw, visceral emotion, he transformed carcasses and portraits into swirling vortices of color that defined Parisian Expressionism.
Chaïm Soutine arrived in Paris from a Lithuanian shtetl with little but a ferocious need to paint. Living in dire poverty in La Ruche, he found kinship with artists like Modigliani, who painted his now-famous portrait. Soutine worked in a state of near-possession, his subjects—from a side of beef to a nervous bellboy—distorted under the pressure of his emotional gaze. He was less interested in representation than in excavating the inner life of his subjects through thick, turbulent impasto. Art dealer Leopold Zborowski supported him, but it was American collector Albert C. Barnes whose 1923 purchase of dozens of paintings catapulted Soutine from obscurity to financial security, though it did little to calm his tormented spirit. He spent the Second World War in hiding, constantly moving to evade Nazi capture, a period that ended with his death from a perforated ulcer. His work, a bridge between the Old Masters he revered and the Abstract Expressionism to come, remains a testament to painting as a physical and psychological ordeal.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Chaïm was born in 1893, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1893
The world at every milestone
World's Columbian Exposition dazzles Chicago
Spanish-American War; US emerges as a world power
San Francisco earthquake devastates the city
Robert Peary claims to reach the North Pole
Triangle Shirtwaist Factory fire kills 146 in New York
World War I begins
The Great Kanto earthquake devastates Tokyo
FDR's New Deal launches; Prohibition ends
Allies invade Sicily; Battle of Stalingrad ends
He was so poor early on that Modigliani once traded a portrait sketch for a meal at a restaurant for them both.
He allegedly kept a dead ox in his studio to paint from, causing neighbors to complain about the smell and summon the police.
Deeply superstitious, he avoided having his photograph taken and believed it could steal his soul.
During WWII, he was buried in a non-Jewish section of the Cimetière du Montparnasse under his partner's surname to hide his identity.
“I have tried to express with red the ringing of bells.”